Monday, May 14, 2012

NBC Fall 2012 Schedule: An Analysis


Oh what a mess NBC has been in for the past couple of years. The network hasn’t really recovered since the Jay Leno fiasco. But a ray of sunshine is beginning to peak through those dark clouds with new management, a respectable network honcho in Bob Greenblatt, and a new hit show (The Voice) in which to remind the populace that NBC is still a network.

NBC has the added benefit of having the Olympics as a promotional platform for their fall lineup. In addition to Sunday Night Football, NBC needs to capitalize on this borrowed audience, something they have failed to do in recent years.

Without further ado, my analysis for NBC’s falls schedule:

Monday:
8 pm: The Voice
10 pm: Revolution

The Voice is NBC’s one true, much needed needed hit. So bringing it back for the fall is a no-brainer. What I have a problem with is NBC planning to make this a two cycle show a la Dancing with the Stars and Survivor. They run the risk of overexposure (look what happen to Who Wants to be a Millionaire, Deal Or No Deal) and thus killing the one hit show they have.

So gripes aside…

The Voice will be a great promotional platform to advertise their shows. ‘Voice’ gets huge ratings for their blind auditions, but viewership steadily falls throughout the battle rounds and live performances. There are tweaks coming to the show, such as incorporating those spinning chairs into the battle rounds. It sounds like a smart move to do in theory, let’s see if it works.

The most coveted spot on NBC’s lineup is the post-Voice slot. Smash debuted here to decent ratings but steadily lost viewers. NBC is smart to try a new drama here, in this case their best testing pilot, Revolution. From Eric Kripke (Supernatural) and JJ Abrams, with the pilot directed by Jon Favreau (Iron Man), the show has the pedigree to succeed and be a much needed hit for the network. But I do have my doubts. NBC had a similar genre-type show that garnered a lot of buzz, debuted to very strong numbers, and was eventually canceled after a season. How many of you remember The Event?



Tuesday:
8 pm: The Voice (results)
9 pm: Go On/ The New Normal
10pm: Parenthood

NBC is doing the right thing retooling The Biggest Loser for mid-season. This was the one show that NBC had counted on for decent ratings. But overexposure and bloated air times (2 hours!) it started to bleed viewers.

The Voice results show doesn’t garner the same monster ratings as the performance shows, but it is still the top rated show for the night on any network. NBC is smart to slot this at 8 pm to lead off the night and serve as a lead-in for their two new comedies: Go On starring Matthew Perry and The New Normal, from Ryan Murphy. These are probably the two comedies NBC thinks will have the best chance success.

Parenthood at 10 pm is a safe choice and works for the network. Even though the show hasn’t been a ratings winner it should be, CBS and ABC haven’t exactly owned the night. This is one of the few slots where an NBC drama is competitive.






Wednesday:
8 pm: Animal Practice/ Guys With Kids
9 pm:  Law & Order SVU
10 pm: Chicago Fire

NBC had a boatload of problems on Wednesdays throughout the year. Up All Night, Whitney, and Betty White have done respectable ratings at 8pm, but the 8:30 slot proved to be a huge black hole, which I think hurt the 8 pm slot as well. 9 pm was even worse, with Harry’s Law and Rock Center not even hitting a 1.0 demo on most nights. That in turn brought down a once reliable Law & Order: SVU to series-low ratings.

Starting with new comedy shows at 8 pm is a risky but smart thing to do. None of the returning comedies would do much better here, so having something fresh here is a good start.

NBC moving Law & Order: SVU to 9pm is an idiotic move. They tried this TWICE and both times it only hurt the show. Maybe NBC thinks ratings can’t get any lower, but if the past is any indication, this could be a disaster.

But logic dictates that NBC wants to use SVU to help launch Chicago Fire. NBC is in need to find a procedural to replace the aging SVU, and NBC hopes Chicago Fire is it.






Thursday:
8 pm: 30 Rock/Up All Night
9 pm: The Office/ Parks & Rec.
10 pm: Rock Center With Brian Williams

The majority of NBC’s returning comedies will populate Thursdays 8-10 pm. Whether you think NBC is playing it safe, giving up on the night or whatever, the comedies are seasoned vets (minus Up All Night) and they proved reliable, OK ratings (by NBC standards).

Now 10 pm. I really really REALLY hate this scheduling choice. NBC is giving up on the hour without trying. Yes NBC hasn’t had a successful drama launch since ER ended in 2009, I just don’t get why a show that was pulled during May sweeps because it was getting shitty ratings, has a prime time slot in the fall schedule. NBC could easily slot in one of a handful of new reality shows NBC has in the wings. Only logical explanation would be the upcoming 2012 Election.




Friday:
8 pm: Whitney/Community
9 pm: Grimm
10 pm: Dateline

I have always liked the idea of networks trying to air comedies, and NBC is doing just that. However, I don’t see the connection between Whitney and Community. The shows could not be more different. But hey, we’ll see if this works. It should improve upon the dismal ratings Who Do You Think You Are? was getting.  

The comedies should provide better compatibility for Grimm, which was one of NBC’s few bright spots, to the surprise of everyone. Dateline works where it is, so no need moving it.

Sunday (post football January 2013):
7 pm: Dateline
8 pm: Fashion Star
9 pm: Celebrity Apprentice:
10 pm: Do No Harm


Fashion Star is cheap and makes NBC money. Cutting Celebrity Apprentice down to 1 hour is smart thing to do. The show was way too bloated at 2 hours, and the show was beginning to show its age this year. Cutting it down to an hour, plus a better cast (real celebrities please) could help. NBC hasn’t aired a drama on Sundays 10 pm in a long time, so NBC putting a new drama here, Do No Harm, was a minor surprise. With CBS and ABC having problems in this slot, NBC feels like it can create a foothold here with a new drama.

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